Download A New History of Documentary Film: Second Edition by Betsy A. McLane PDF

By Betsy A. McLane

A New background of Documentary movie, moment version offers a much-needed source, contemplating the very swift alterations happening inside of documentary media. development upon the best-selling 2005 version, Betsy McLane retains a similar chronological exam, authentic reliability, ease of use and obtainable prose sort as sooner than, whereas additionally weaving 3 new threads - Experimental Documentary, visible Anthropology and Environmental/Nature motion pictures - into the dialogue. She presents emphasis on archival and protection historical past, current practices, and destiny wishes for documentaries. besides protection info, particular difficulties of copyright and reasonable use, as they relate to documentary, are thought of.

Finally, A background of Documentary movie retains and updates the advised readings and critical movies and the top of every bankruptcy from the 1st version, together with the bibliography and appendices. most unlikely to speak learnedly approximately documentary movie with no an audio-visual part, a better half site increases its intensity of data and total usefulness to scholars, lecturers and picture fans.

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Sample text

The Vertov Collection at the Austrian Film Museum nations, and to use modern technology to harness its vast natural resources since much of the country lived in the same ways that they had for generations. The constructivist artistic movement that become prominent in Europe in the early 1920s was also marked by an effort to give formal expression to 44 A New History of Documentary Film the dynamic energy and quickly evolving movement of mechanical processes. This resonated with the artists in the new Soviet Union.

Flaherty met Curtis and saw his film in 1915. The newsreel tradition may be said to have begun in France with Lumie`re’s (after attending screening of the first worktoprint), Robert and Frances spent Excursion of the aFrench Photographic Society Neuville, 1895. Called ‘‘interest films’’ first,fundraising the subjects quickly became events of greaterbacking newsworthiness. severalatyears and, after many setbacks, obtained from the Many of them featured heads of state and ceremonial occasions. Some examples French fur company Révillon Frères for a return to the North to make another are: the crowning of a czar (Coronation of Nicholas II, 1896), the campaign of a film.

In 1920 the Russian Revolution was still being fought. The continuing conflict between the counter-revolutionaries (the Whites), who had supported the Czar or the Socialist Duma, and the Communists (the Reds) threatened the existence of the nation. Vertov at that time worked on ‘agit trains’ and made agitka. Agit is short for agitation; sometimes the term ‘agit-prop’ was used, for agitation and propaganda. Agitka were little political propaganda pieces that were ‘agitated’ in form as well as in their goal of agitating the population.

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