By Antony Bolante
The following to get filmmakers, internet designers, broadcasters, and electronic artists of all types in control on After results CS4—and in time to satisfy their subsequent deadline—is everyone's favourite task-based advisor. via step by step directions, greater via counsel, sidebars, and many visible aids, veteran video editor Antony Bolante exhibits readers the right way to successfully and successfully import and deal with pictures, view and edit layers, follow results, animate variety, and extra. they are going to find out about key gains with genuine global examples of the way and while beneficial properties might be used, together with what is new in After results CS4: the addition of Imagineer System’s Mocha for Adobe After results, which permits clients to do movement monitoring for tough photographs; the facility to export wealthy media compositions from After results to Adobe Flash; searchable timelines and initiatives, plus more straightforward composition navigation; the power to import Photoshop 3D layers; self reliant keyframing of X, Y, and Z axis positions; the recent caricature influence for developing an lively glance to reside photos; and lots of extra improvements.
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Extra info for After Effects CS4 for Windows and Macintosh: Visual QuickPro Guide
PEF The Project Settings dialog also allows you to set the color bit-depth mode. In addition to supporting standard 8 bits-per-channel (bpc) images, After Effects Pro lets you process images using 16 and even 32 bpc. This means that not only can your images have higher color fidelity from the start, but they also retain that quality even after repeated color processing ( for example, from transfer modes and effects). But naturally, greater precision comes at a cost. For example, processing color in 16 bpc is twice as demanding as processing it in 8 bpc—that is, doing so requires twice the RAM and processing time.
In most cases, After Effects can detect and interpret it automatically. Otherwise, it treats the alpha channel according to the setting specified in the Import pane of the Preferences dialog: Ask User—Prompts you to choose an interpretation method each time you import footage with an unlabeled alpha channel Guess—Attempts to automatically detect the file’s alpha channel type (if After Effects can’t make a confident guess, it beeps at you) Ignore Alpha—Disregards the alpha channel of imported images *NQPSUJOH'JMFTXJUI"MQIB$IBOOFMT Straight (Unmatted)—Interprets the alpha channel as straight alpha Premultiplied (Matted With Black)— Interprets the alpha channel as premultiplied with black Premultiplied (Matted With White)— Interprets the alpha channel as premultiplied with white $IBQUFS *NQPSUJOHB-BZFSFE'JMF BTB4JOHMF'PPUBHF*UFN When you import a layered Photoshop or Illustrator file as a footage item, you can either import all the layers as a single merged item or import layers individually.
The Welcome screen also preserves an After Effects institution, the “Tip of the Day”—and it even lets you search for tips. The Welcome screen appears only when you start up After Effects; at other times, you can open it via a menu command. Apart from using the Welcome screen, you can start and open projects and templates using the methods described later in this chapter. 5PDIPPTFB8FMDPNFTDSFFOPQUJPO Launch After Effects CS4. 1). In the Welcome screen, select any of the following. 4).