By Michael R. Pitts
Among 1952 and 1977, Allied Artists photos company published over eighty function motion pictures with horror, technology fiction and myth topics, a number of of them that includes such style stars as Vincent cost, Boris Karloff, John Carradine and Lon Chaney, Jr. between Allied Artists' contributions are the vintage Invasion of the physique Snatchers and the William citadel productions condominium on Haunted Hill and Macabre. Allied additionally published the camp favorites Frankenstein Meets the gap Monster, From Hell It got here and Queen of Outer house, and imported eu efforts similar to Blood and Black Lace and Caltiki the Immortal Monster. incorporated listed here are exact plot synopses and important analyses of all the movies. additionally lined are 22 beneficial properties, together with Little store of Horrors, made via different businesses and published to tv through Allied, and the studio's theatrical double-feature reissue of Paramount's The Blob and Universal's Dinosaurus!
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Inspector Sylvester (Thomas Reiner) talks with Christina and co-owner Max Martan (Cameron Mitchell), who tells him to contact the dead woman’s roommates Nicole (Arianna Gorini), Peggy (Mary Arden) and Greta (Lea Kruger), models for the salon. Dress designer Cesar Losarre (Luciano Pigozzi) informs Sylvester that Isabella’s lover was antique dealer Sacolo. The inspector calls on Sacolo and says cocaine was found in Isabella’s home. During a showing at the salon, Nicole ﬁnds a diary that belonged to the murdered model.
Sandwiched between the Chaplin ﬁlm and the 1963 French production was Bluebeard’s Ten Honeymoons, which Allied Artists issued in the spring of 1960. Filmed in France and at England’s Elstree Studios, Bluebeard’s Ten Honeymoons was directed by W. Lee Wilder and written by his son, Myles Wilder. The elder Wilder was the brother of Billy Wilder. W. ) and Manﬁsh (both 1956) before the son began working exclusively in television. W. Lee Wilder went on the make The Man Without a Body (1957), Caxambu (1967) and The Omegans (1968); his best ﬁlm was his directorial debut, the taut ﬁlm noir melodrama The Glass Alibi (1946), which he remade in 1955 as a shallow imitation called The Big Bluff.
When Louie, Chuck and Butch hear their cries, they too are locked away, although Amelia and Francine want them for their own purposes. Grissom ties Slip to Anton’s operating table while Derek straps Sach to the one in his laboratory. Cosmos breaks out of the closet, knocks out Anton and frees Slip, who takes the microphone and activates Gorog, who ﬁghts with the gorilla. Slip tries to get away but runs into Amelia, who attempts to feed him to her plant. Francine frees Sach but Derek tries to stop her as he gets away from them only to be chased by both Gorog and Cosmos.