By Richard Allen, Malcolm Turvey
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Additional resources for Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson
What is nonconscious in everyday mental life becomes consciously attended to’ (Bordwell, Narration in the Fiction Film [Madison: University of Wisconsin Press, 1985], p. 33). ’ Unless indicated otherwise, all quotations in the following paragraphs come from CK 58-59. There is also, arguably, a third trend, a negative theology, which perpetually laments and/or celebrates the loss of metaphysical certainty, exemplified, in my view, by the work of Derrida. : MIT Press, 1996). An example of a postmodernist critic employing this distinction is Mark Cheetham, The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting (Cambridge: Cambridge University Press, 1991).
60-81. YR ‘Yvonne Rainer – Part I: The Dancer and the Dance,’ Artforum XII, no. 5 (January 1974), pp. 57-63. Notes 1. 2. 3. 4. 5. 6. 7. 8. 9. In her contribution to this volume, the filmmaker, cinematographer, and photographer Babette Mangolte acknowledges Michelson’s influence on her own practice. Other examples include Michelson's starring role in Yvonne Rainer's film Journeys from Berlin. Michelson talks about her role in this film in ‘Lives of Performers: Annette Michelson Discusses Acting in “Journeys from Berlin”,’ with Sally Banes, Millenium Film Journal 7/8/9 (Fall/Winter 1980-81), pp.
10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. : Cornell University Press, 1999), p. 52. Crary, Techniques of the Observer, p. 89. , p. 91. Helmholtz, Treatise on Psychological Optics, vol. 3, ed. James P. C. Southhall (New York: Dover, 1962). , p. 23. , p. 610. , p. 33. John F. W. Herschel, A Preliminary Discourse on the Study of Natural Philosophy (Chicago: University of Chicago Press, 1987), p. 83. William James, The Principles of Psychology (Chicago: Encyclopaedia Britannica, 1952), p.