Download Counterpoint in Composition: The Study of Voice Leading by Felix Salzer, Carl Schachter PDF

By Felix Salzer, Carl Schachter

-- Stanley Persky, urban collage of latest York

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Additional resources for Counterpoint in Composition: The Study of Voice Leading

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1). Overall, the French sample appears to be slightly more impersonal than the English. In the French sample, only one word or expression in a thousand conveys investigator evaluations or feelings. Evaluations vary: a demonstration is “beautiful” (1668-F014); the author achieves “the success that we hoped for” (1686-F046); the result is “very good” (1693-F070). Investigator feelings vary also: the investigator is “surprised” (1692-F076), “astonished,” (1666-F050), “pleased” (1692-F017), or “very persuaded” (1700-F048).

The first sentence (and the longest), for example, consists of an independent clause followed by a short dependent clause, then an independent clause embedded with two dependent clauses, and finally a subordinate clause—for a total of six clauses. Whatever its merits for creating an engaging narrative, Lister’s descriptive prose lacks the power a technical vocabulary gives: the ability to communicate common patterns well below the surface of the often misleading impressions of the senses. Lacking this linguistic resource, Lister is forced to bring the natural objects he scrutinizes before the eyes of his readers by means of metaphor and simile.

This understanding is the gift of the theoretical and phenomenological vocabulary of the mature sciences. Lister shows some sensitivity to matters of presentation, to helping readers discern the structure of his text. To enable them easily to locate sections of interest, he attempts to make explicit the organization of the article, its sources, and its gist. But neither the author nor his editor proceeds rigorously. Although marginal notes in italic type track the progress of the article’s organization, they do so with a certain nonchalance.

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