Download Creating Motion Graphics with After Effects, Vol. 1: The by Trish Meyer PDF

By Trish Meyer

This booklet is sort of precious. It covers the fundamentals in manipulating photographs in After results and serves as an excellent instructor of the software.

I hugely suggest it.

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Read or Download Creating Motion Graphics with After Effects, Vol. 1: The Essentials (3rd Edition, Version 6.5) PDF

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Additional resources for Creating Motion Graphics with After Effects, Vol. 1: The Essentials (3rd Edition, Version 6.5)

Example text

Mov from the Sources>Movies folder. This time, add the layer to the comp by dragging it to the left side of the Timeline window between the two GI_Criminals layers (a dark line will appear indicating its proposed placement in the layer stack). Make sure it starts at 00:00. ț Set DV_Electro_ex to Overlay mode allowing the background movie to show through. Press T and scrub its Opacity down to around 50%. Step 39: Add a clip from Digital Vision/ Electro (above) in Overlay mode to add texture to the background (below).

The Dark Motives title consists of two layers, which makes it difficult to apply effects to the layers as a group. Of course, you could apply the same effect to each layer separately, but many effects (such as distortion effects) will produce different results if applied to the titles after they have already been composited together into one layer. So let’s use the Pre-compose feature to group the Dark and Motives layers in a precomp (which will render before the [Comp 7-Titles] comp), and then have some fun applying effects: STEP 49: Select the Dark layer, then Shift+Click to also select the Motives layer.

In the Project window, locate AB_TL_Cityscapes, and also locate [Comp 4-Doctor] (you may need to twirl open the Comps folder). Drag AB_TL_Cityscapes onto the icon for [Comp 4-Doctor], and release the mouse. This is yet another way to add a movie as the top layer in a comp. Step 34: When you create a solid, it’s added to the Solids folder in the Project window. You can then reuse the same solid in other compositions. 18 ț Since you’ve already created a solid layer for the detective, you can reuse this solid rather than create a new one from scratch.

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